Acorn Productions operates a training school for actors of all ages and levels of experience. Our model is that of a conservatory-style program in which actors progress through various levels of classes depending on their skills and interests.
Acorn strives to provide a quality, progressive experience for actors of all experience levels and ages. In a safe, inclusive environment we offer a wide variety of classes, ranging from one-time Master Classes to Semester-long classes to Weekend Intensives. With a skilled, compassionate faculty we continue to consistently bring Portland and its surrounding areas a positive, secure and pedagogically complete set of classes that will continue to push, engage, invite, and illuminate.
The Acorn Acting Academy believes that the strongest acting occurs when actors are living truthfully in the moment on stage. Our methodology is strongly based on the improvisational work of Viola Spolin and the voice work of Kristin Linklater, with influences from many other classic acting teachers including Stanislavski, Robert Lewis, and Keith Johnstone. We also use activities from Viewpoints and variations of the repetition work pioneered by Sanford Meisner. The cornerstone of our program is open scene work, in which actors bring their own choices and characterizations to short snippets of dialogue that are written in a neutral style.
Acorn offers extensive training for teen and adult actors wishing to learn how to work with Shakespeare’s language, as well as development for playwrights through classes and our annual Maine Playwrights Festival. Our goal is to provide actors with the tools they need to succeed in Greater Portland’s active theater community.
Karen Ball has been working in theatre as an actor, teacher, and director for over fifteen years. She has recently been awarded a Master of Fine Arts degree from The Royal Birmingham Conservatoire of Acting and Music in Birmingham, UK.
Daniel is the Artistic Director of the Maine Playwrights Festival. He has developed and directed new plays for theaters including Penobscot Theatre Company, Mad Horse Theatre, Saco River Theatre, Boston Playwrights Theater, and Portland Stage Company, where he was previously Literary & Education Manager. Other Maine credits include the world premieres of One Blue Tarp at Penobscot Theatre and Legbala Is A River at Mayo Street Arts, as well as productions at Portland Stage, Penobscot Theatre, AIRE, Dramatic Rep, and Deertrees Theatre. He is also a member of Literary Managers and Dramaturgs of the Americas.
Jared Culverhouse is the founder of Working Man’s Clothes Productions, a theater company which he started in 2005 in New York. Working Man’s Clothes Productions has produced works by playwrights including Romulus Linney, Bekah Brunstetter, Samuel Brett Williams, and Chisa Hutchinson. Working Man’s Clothes was instrumental in getting new plays seen and published. As an actor Jared has been seen in multiple productions including To Nineveh (Best Ensemble NYIT Awards), Derby Day (Clurman/Theater Row), and New Country at the Cherry Lane Theater. Jared received his BFA in Acting from Texas State University and his MFA in Directing from UMass Amherst. As an educator Jared has worked at The New York Film Academy and the Conservatory for Dramatic Arts. This summer his devised piece 8X10, dealing with the effects of solitary confinement, was seen at the Cincinnati Fringe Festival.
Lindsey is the Artistic Director of 60 Grit Theatre trained in devised/physical theatre. She received her MFA in Theatre Directing from East 15 Acting School in London and has directed regionally and academically in London, South Korea, and United States. Lindsey served as the Artistic Director of Seoul Shakespeare Company in South Korea and has worked as a Teaching Artist for Acorn Productions, Wintergreen Arts Center, The University of Southern Maine Theatre Academy, and Seoul Shakespeare. Favourite directing credits include Bug by Tracy Letts, The Pillowman by Martin McDonagh, Blackbird by Adam Rapp, and The Closed Door; an original piece created by 60 Grit.
Michael Levine is the founder and Producing Director of Acorn Productions, as well as the Artistic Director of the Naked Shakespeare series. He has been teaching acting classes at Acorn for almost 20 years as well as directing several dozen productions for Acorn. He has also taught acting and playwrighting at SMCC and the Stonecoast Writing Program and written several plays for Acorn, including The Dybbuks of Park Slope and The Legend of the Golem. He is a graduate of M.I.T., where he studied playwrighting with A.R. Gurney, as well as acting with Kristen Linklater, and Shakespeare and Company, and he is a certified secondary school English teacher.